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No. I believe that mixing and mastering are completely separate, specialised skills and ideally require different people to carry them out. This is for a number of reasons, not least because it is good for anyone to have another pair of ears listening to their track before release. I am happy to recommend a list of mastering engineers for you to contact (quality mastering can start from as low as £30, as it is one of the least time-intensive parts of the music creation process - although still an art form) as I truly believe this will provide you with the best result for your music. However, in unique cases where an artist is on a very tight budget or is not concerned about using an external professional, I am able to carry out what's called a 'pseudo master', where I make some small adjustments and ensure the end product is of an industry standard volume, ready to be delivered to streaming services and/or physical media.
Yes, I know what it's like to be a musician and how quickly costs for everything can add up. I'm always willing to discuss ways I can ease the financial burden for you, and sometimes it might make sense for different band members to contribute an amount to the final total. All I ask is that we make a clear agreement on who's paying what and when, up front.
TLDR; most probably not
If I am working with an artist or band on production, and I do not make a significant contribution to the song's 'top line' (the vocal melody and lyrics) – e.g. if I just suggested one word, this would not be deemed significant enough – then I never ask for a songwriting credit or royalty split. The way I see it, the client is already paying me for my work and it's not ethical to ask for more.
I've created a simple PDF guide which explains what I need from you before starting a project, including how to prepare stems/multitracks and how I prefer to receive your files. I will usually send this to you via e-mail, but you can also access it here.